There is a tension that exists in landscape photography. Landscape art (of which photography is a sub genre) was born in Western Europe at the time when societies became urbanised, the need to depict landscapes seems to stem from our separation from nature. Heidegger believes that the rational, enlightened western man views the world as if it were a picture – to be scrutinised, analysed and understood. Conquered by him intellectually. But in placing himself at the centre of the world, everything he views becomes a study of anthropology in other words of himself. We don’t see the world as it is but as we believe it to be. In the eighteenth century artists would carry a Claude glass (the equivalent of wandering around with a smart phone today) through which they would view landscapes as a means of deciding whether the view was sufficiently picturesque to warrant painting. Those landscapes that met wit...
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